you have to understand that there is an overlap between drag queens and trans women and between trans women and cis lesbians and between lesbians and drag kings and between drag kings and trans men and between trans men and cis gay men and between gay men and drag queens and between lesbians and bisexual women and between gay men and bisexual men and between lesbians and asexual women and between gay men and asexual men and between all sexualities and nonbinary people and between butches and transmascs and between binary trans people and genserqueer people.
basically what I’m saying is that we’re all family. there aren’t clear divides or walls that separate us. and that’s the point. being easily separated into perfect neat little boxes is exactly what queerphobic people want. don’t let your oppressers trick you into thinking your family is your enemy.
if you tried to map out our community, you wouldn’t get a bunch of neat circles that don’t touch or overlap or have any relationship with each other at all. you’d get this.
In case you think the writers on strike aren’t making good use of their time, think no more!
Only click the read more if you’re fully prepared. I’m taking no responsibility past this point.
the most “cocomelon shit” i’ve ever experienced in my life was the time i was in calculus II and some girl in front of me was googling “assorted animals” and scrolling through pictures of clipart pigs and horses and shit on her laptop completely focused like it was her tax form
Before Barbenheimer, there was “Apocalypse in Pink,” the August 1983 theme of fashion/culture magazine SPECTAGORIA. The issue’s controversial imagery of Barbie-esque models attempting to stay gorgeous and glamorous amidst nuclear annihilation sought to, in the words of editor/photographer Sera Clairmont, “revel in the morbid absurdity of the new American condition,” an “anxiety vibrating underneath all our plastic smiles.”
“It’s The Hot Pink Cold War,” Clairmont wrote in her introduction. “It’s ‘Material Girl’ on the radio and ‘WarGames’ at the drive-in. It’s ‘Girls Just Wanna Have Fun’ interrupted by the emergency broadcast signal. We’re told to look sexy, dress fashionable, make money, and spend money, but be sure we’re just the right amount of terrified about the bomb. Get that Malibu dream home, keep working on that perfect body, sip cocktails by the pool in your little pink bikini and watching the stocks go up — but STAY VIGILANT! and for God’s sake vote Republican, because that dream home could melt into a pink plastic inferno at any given moment. Just don’t stop smiling as the blast liquefies your skin into bubbling ooze like a Barbie doll in a microwave - it’s bad for the economy.”
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NOTE: This is a work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.
If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.
John Brosio - Closing the Deal (2012)

























